Thursday, September 13, 2007

More images of the new jersey...


Pretty cool slide show at the Devils' official site showing off the jerseys, some media shots and other stuff from the first day of camp. I think I want a Vishnevsky jersey, or maybe I'll finally spring for the Langenbrunner. Either way, hockey is almost here, and the Brent Sutter Era is going to be entertaining. Our rivals got better, we got smarter (and tougher!).

New Jersey Devils jersey leaked


I found this EA Sports jersey gallery in the bulletins at Paul Lukas' always-entertaining Uni Watch Blog. Now as practically every team has redesigned their own Reebok Edge jersey, looks like the Devils will be identical, joining only about 5 or 6 other teams that didn't change their look.

Every new look team team had a press conference showing off their new kits, and Vancouver even conned a few thousand fans to come to the rink to be reminded their favorite team is "from Vancouver." Meanwhile, the Devils roll along with business as usual: no fanfare, no major announcement, and most importantly, no changes. (The Devils are only one of three teams to never have a 3rd/alt jersey, btw.)

As far as the new jerseys, I really like the Bruins new look, and they'll really look good losing 50 games this season. I'm glad Washington went back to the "Capitals" crest, ditching what was the ugliest jersey in the league. Others I dig: Calgary and Columbus. Jerseys I think look like shit: the new Avs, Stars, Isles and Sharks, who once had one of the coolest logos in sports until they Disneyed it up. I could live with the Canucks sweaters if they two-toned the lettering with green, making the stripes look not so out of place.

There is hope for Boston after all



“A Global terror they say, We are at war / But I ain't got time for that cos / These bills keep dropping through my door" -- Hard-Fi "Suburban Knights"

The fall in New England is a glorious time, and suddenly every week is action packed with dope shows. Look at this shit:

Sept. 13: Eagle Seagull at Great Scott
Sept. 21: Rilo Kiley at Avalon
Sept. 21: Eli “Paperboy” Reed & the True Loves at the pill
Sept. 22: The Information, Barnicle and Astor Twin at Great Scott
Sept. 27: Freezepop album release at the Middle East
Oct. 4: Patrick Wolf at the Paradise
Oct. 5: the pill’s 10th anniversary
Oct. 9: Gliss at Hennessys
Oct. 10: Digitalism at the Middle East
Oct. 11: Shit Disco at Great Scott
Oct. 18: the Hourly Radio at Great Scott

Then in November: The Enemy, the Blakes, Semi-Precious Weapons, Hiss & Chambers, Superdrag, Emergency Music, Battles. Jesus fucking Christ.

Cool note about Astor Twin. It’s a new NYC-based band from Heath Fradkoff, former bassist of the Information. I hooked him up with my boy Jay, former BM Linx drummer, and Astor Twin was born. I haven’t heard them, but when does Heath Fradkoff ever disappoint?

And I just found a cool YouTube clip of BM Linx’s performing Understanding Orange at the pill last year.

The Enemy hits Boston Nov. 3, with DJ Michael V.


The NME has blown about 4 cover loads on the Enemy, who have a pretty catchy tune in "You're Not Alone" and seem to be gaining huge buzz in England.

So props to Randi at TTs in snagging them for a quick US tour in November. And even greater props for enlisting me to spin the dance party after the show. Expect the usual pill bullpen mix of electro-pop, synth-wave and Britpop classics. I'm sure a few modern indie cuts will find their way into the set as well. (DJ Ken will be over at the Superdrag reunion show then throwing down at the Commonground across the river, so I'm flying solo on this one.)

Another local band should be added between now and Nov. 3, but tickets are already on sale through TTs website. I've been a shit ton of awesome post-wave Britpop shows at TTs this decade (Franz Ferdinand, JJ72, Gene) and this should add to the list.

Wednesday, September 12, 2007

Spin.com Artist of the Day: The Blakes


So a cool thing happened late last month. I was writing about this band from Seattle, the Blakes, for Spin.com and I told Carl, who does booking at Great Scott, to nail these fuckers down if they ever came to town. I seldom make these requests, but Carl's practically in bed with KEXP Radio out of Marinerland so I figured why not.

The next day, he forwards me a message about the Blakes looking for a Boston date. Some quick negotiations sorted them out, and now they're playing the pill on Nov. 23, the day after Thanksgiving.

So while the gig is still a few months away, check out the Blakes' dirty-ass rock n' roll through my Artist of the Day piece for Spin.com. A line about snorting Keith Richards' ashes was edited out, but it still gets the point across.

Let's liven this up a bit...

So those precious few of you who've actually read this thing have said there's not enough images. Yes, I view this as an outlet for my written word (the good and the bad), but I suppose there could be better visuals, aside from my cat.

So this will be a showcase to my hidden life as a dance night flyer photographer. Though much of Boston is mired in the too-artsy-to-fuck club flyer, I prefer a simple aesthetic: cute girls with Bernard MT condensed font text. All of these images below have been shot and designed by me, though now that my ex has left me I kinda need a camera to shoot with. An upside down baseball cap acting as a charity plate will be passed around shortly.

Anyway, here are a few flyers for the pill, all original art and design:

Shannon:


Deb Info:


Lindsey:


Leaura:


Raphaella:


Abby:


Amanda:


Jennifer:


Vicki:

Lola



So it's been a fairly rough week, with the Editors bassist controversy, a near fist-fight with a Store 24 clerk and Day 12 of the realization that life is completely different again. So while I jumped in bed at 6:30pm yesterday never to re-emerge from my bedroom, I awoke with my pet kitten (she's now about 7 months old, still a kitten?) named Lola cuddling up with me. Really, that's all it took to snap out of this funk and realize life is... in fact... better than it was a month ago.

I raise a glass to the best lady in my life, the one and only Miss Lola Bear String Bean!

the pill’s 5th annual Halloween show

The pill's 5th annual Halloween show
Wednesday, Oct. 31 at Great Scott
Tickets on sale now through Ticketweb.com

Halloween shows at the pill have become stuff of legend. What began as an idea among friends in 2003 at the Paradise Lounge has evolved into a yearly celebration that has caught on citywide. That year, the Information performed as the Cure and the Cignal resurrected the Happy Mondays. In an instant, the bar was set and a legacy was born.

Many of the pill's Halloween performances are still talked about. Bands don't just play a thin cover set – they become the band, with visuals making as much of a mark as the sounds. These shows are performances at their best.

Were you there when Protokoll turned Great Scott into a smoke-filled catacomb as Bauhaus in 2005? Did the rousing impression of Jarvis Cocker by Thom of the Bon Savants get you closer to Pulp than ever before at the Middle East Down in 2004? Did you feel so extraordinary when Lifestyle closed last years set as a raved up New Order? Or maybe it was Suede and Echo & the Bunnymen last year, or the Velvet Underground and Joy Division before that, or Depeche Mode, Blur and Primal Scream in 2004?

This year, the pill welcomes back one familiar face to headline the 2007 show, as well as three newcomers looking to make a mark on the pill's vaunted Halloween tradition.

For our 5th annual event, we welcome on Oct. 31 the King of Glam Rock at his absolute apex, one of the undisputed leaders of the Britpop revolution, the visionary creators of the Britpop revolution and a phenomenal post-Britpop act that met its demise all too soon. We are proud to present:

David Bowie, performed by the Daily Pravda
Blur, performed by the Lie Society
The Stone Roses, performed by Mako
The Libertines, performed by the Perennials

Tickets are on sale now through Great Scott's www.ticketweb.com outlet. The show begins at 9 p.m., is 18-plus and admission is $10. Costumes are encouraged, with prizes for best attire.

Before, between and after the bands, DJ Ken brings the dance party to the midweek with another sterling mix of Britpop, Modern Indie and Beyond. See you then. Look bloody sharp.
xoxo the pill

the pill www.thepillboston.com
The Daily Pravda www.thedailypravda.com
The Lie Society http://www.theliesociety.com
Mako www.myspace.com/makoband
The Perennials www.myspace.com/perennialsareforever
Great Scott www.greatscottboston.com

The Molestation of a Hot Pocket

By Michael Vanya

Before I get into this, let's get one thing out of the way: I have terrible eating habits. I'll drop $12 on KFC for dinner, about $9 worth of grande soft tacos and quesadillas at T-Bell for lunch and now, thanks to the 24-hour Tedeschi food market across the street, I'll buy a half-pound Hot Pocket at pretty much anytime day or night.

But my joys of procuring these Hot Pockets, and the subsequent unbridled, orgiastic bliss that follows from slamming down the traditional the ham and cheese variety, has been detracted by the litany of heavy-finger store clerk at the Ted (as we so affectionately call it).

On any given day, I'll casually stroll into the Ted with about $4 in hand, looking for an unhealthy snack to wage holy war on my now-cast-in-steel innards while getting me through the night (usually this occurs anywhere from 11 p.m. to 3 a.m.). My appetite has proved to be rather insatiable over the years, being raised on McDonalds and pizza upwards of five times a week during my early years of life back in Long Island.

A combination of the famed half-pound ham and cheese Hot Pocket, a 99 cent bag of Party Mix and a 99 cent Arizona "Sweet Tea" Iced Tea (still the best bargain since the 50 cent newspaper) does the trick flawlessly and allows me to sleep undisturbed by the growing groan in the pit of my stomach graveyard.

Since I'm a man of consistency, I always dart straight for the Hot Pocket section, and choose only the most fittest of 'Pock before grabbing the chips and drink. I inspect the Hot Pocket for cuts or seams – if the Hot Pocket is ripped, the cheese will cook faster than it should in the microwave, and spill over onto the plate before crisping up and ejaculating into a desert sea of burnt fat. It ruins the Hot Pocket experience like you could not believe.

But despite my efforts to secure a fully-enclosed, way-it-meant-to-be H-Pock, my fears have skyrocketed recently as I approach the cash register. You see, every time the clerk grabs my beloved meal-in-a-wrapper to be scanned, he aggressively fondles and manipulates the packaging as if it were a mouthy 11-year-old altar boy. He impatiently pressed the bar code, printed on cheap plastic material that will no doubt last until the next millennium, up against the scanner, running fingers across the bread, pushing, releasing, jabbing, releasing, caressing, releasing, molesting, releasing, sodomizing, releasing… until the fucking thing finally scans.

Each time I can see my Hot Pocket breathe a sigh of relief as it lay back on the counter, breathless, mangled and deformed, the bread crunched to the point of bare recognition, screaming for the halcyon days when it was a pure, unadulterated fatty delight shipped from a warehouse in Wisconsin or wherever.

I look up at the cashier, but it's clear he knows not what he does. Or does he? These are vengeful people, at times, ones who will not ring you up if you don't say hello or who will refuse to sell you a Hustler Magazine at 4 a.m.

I can envision them gaining great pleasure in destroying my meal, in telling me "In the Middle East we have no such luxurious snack food!" I can see high-fives exchanged in the back as I cross Cambridge Street like a modern day Frogger, only with broken flies in the basket of sorrow. I can see their cold, apathetic faces as they request the $3.97 in debt I've built up, unaware that my $1.98 Hot Pocket is rendered useless, a mere shell of its once gooey, ham-soft light-breaded self.

Do I ask, good sir, oh why do you fondle my Hot Pocket? Do I ask for another, at the bewilderment of the clerk as I race back through the store? I do not ask these things.

Instead, I take the wounded bear home, gently unwrap him, survey the damage like a wartime doctor and try to make do with what I'm left with: A beaten and disturbed quick-fix meal, one that didn't deserve to be finger raped by men who just don't care.

If they treated scratch tickets as such, there would be riots in the streets of Allston. But the voices lay silent for the Hot Pocket, the latest victim of heavy-handed savagery.

Friday, August 3, 2007

Defeated by the Movie Theatre: a Story about Buttered Popcorn

Ever since I was little I was bummed out by movie theatres' stale, flavorless popcorn, which always became inevitable 15 minutes into each movie. After I devoured the top portion of my bucket o' 'corn, I'd reach down and grab tiny morsels devoid of any salt or butter. Lazy as fuck, I would never go back to the counter and ask for more butter, and I just sucked it up. But we were usually talking about 75 percent of the remaining popcorn here, and well, I just couldn't accept this as normal behavior. First world problems, I know, but hey, this is America, right?

However, I soon found a loophole that changed my movie-going experience forever. Once the theatres started issuing those "do-it-yourself" butter stations, I achieved unparalleled victory over the flavorless brigade. Using my sharp, almost-primate-like wisdom, I developed a tactic that forever allowed me to have flavorful popcorn, right down to the soggy bottom pieces that would eventually give me a nauseating stomach ache under an hour later.

Having full operation of the "butter station," which is what we will call it, I would take an extra straw from the concession stand, and jab it into the popcorn bucket. Sticking out ever so slightly, I would tuck the top of the straw into the nipple of the button dispenser, and gently soak the lonely and dry bottom pieces in a fiery orgasm of a gooey buttery mess.

I would do this four or five times, making sure to hit all curves and layers of the bucket. As I would raise the straw with butter flowing freely, I would flood the middle portion, leaving me with a fully buttered popcorn bucket and smiles galore.

One time in Woburn, a woman behind me saw what I was up to, and copied my routine, much to the delight of her children. I almost approached her, demanding attribution in front of her rug rat children, but decided that I could not keep this Secret Trade to myself forever, and would let her children enjoy the myriad benefits of fully-buttered popcorn. I can, at times but not often, be very altruistic.

However, my years-long victory over the De-splendor Vendors ended abruptly yesterday at the Regal Fenway Theatre. Now, I'd expect nothing less from the theatre chain that will be integrating "call controls," in which selected Gold Club members can rat out talkers, bad sound or intrusive cell phones to management by clicking a joystick-like device.

But this latest maneuver just crosses the line. When I placed my popcorn on the tray yesterday afternoon, I noticed the nipple was gone. Butter now poured out of a tiny, pin-sized hole underneath a squared metal box, making it impossible for me to tuck the straw perfectly into the dispenser. I tried, and ended up with butter all over my hands as I dropped to my knees, cursing the sky and damning the Nazis behind this sudden change in buttered philosophy.

Perhaps they became privy to my ways. Perhaps the mother from years past ratted me out, or took upon Operation Butter Bottom with such little care for its privacy everyone took notice, from Lowes to Regal to AMC to Cinemark to the dilapidated, ghetto-ass "How's that shit still in business?" theatre near Alewife. Regardless, the game was up.

Shaken, I soon arrived at my seat, and after 15 minutes terrible memories of my bland, palate-ally ignored childhood came flooding back.

Disgusted, I tossed the $7 bucket of popcorn on the floor; hardly eaten, hardly served.

c.2007 Michael Marotta / Vanyaland